The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
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Phallus indusiatus, commonly called the basket stinkhorn, bamboo mushrooms, bamboo pith, long net stinkhorn, crinoline stinkhorn, bridal veil, or veiled lady, is a fungus in the family Phallaceae, or stinkhorns. It has a cosmopolitan distribution in tropical areas, and is found in southern Asia, Africa, the Americas, and Australia, where it grows in woodlands and gardens in rich soil and well-rotted woody material. The fruit body of the fungus is characterised by a conical to bell-shaped cap on a stalk and a delicate lacy "skirt", or indusium, that hangs from beneath the cap and reaches nearly to the ground. First described scientifically in 1798 by French botanist Étienne Pierre Ventenat, the species has often been referred to a separate genus Dictyophora along with other Phallus species featuring an indusium. P. indusiatus can be distinguished from other similar species by differences in distribution, size, color, and indusium length.
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
Brady was born an American citizen in Tientsin, China, and traveled frequently as a child, spending time in Los Angeles, California, British Columbia, and Austin, Texas. She studied in the University of California system, receiving her bachelor's and master's degrees, and her Ph.D. in 1935. She next became an English instructor at that university's College of Agriculture, and worked as an assistant professor of languages and literature at Berkeley from 1941 to 1946. The following three years were spent at the University of Pennsylvania, until, at the end of 1949, Brady moved to teach at Central Oregon Community College; her resignation due to "ill health" was announced a few months later. After being named the 1952–53 Marion Talbot Fellow of the American Association of University Women and writing two articles, Brady's scholarship ceased for a quarter of a century. In 1979, and posthumously in 1983, her final two articles were published. (Full article...)
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Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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The Ming dynasty considered Tibet to be part of the Western Regions. While the Ming dynasty at its height had some degree of influence in Tibet, the exact nature of their relations is under dispute by modern scholars. Analysis of the relationship is further complicated by modern political conflicts and the application of Westphalian sovereignty to a time when the concept did not exist. The Historical Status of China's Tibet, a book published by the People's Republic of China, asserts that the Ming dynasty had unquestioned sovereignty over Tibet by pointing to the Ming court's issuing of various titles to Tibetan leaders, Tibetans' full acceptance of the titles, and a renewal process for successors of these titles that involved traveling to the Ming capital. Scholars in China also argue that Tibet has been an integral part of China since the 13th century and so it was a part of the Ming Empire. However, most scholars outside China, such as Turrell V. Wylie, Melvyn C. Goldstein, and Helmut Hoffman, say that the relationship was one of suzerainty, Ming titles were only nominal, Tibet remained an independent region outside Ming control, and it simply paid tribute until the Jiajing Emperor, who ceased relations with Tibet.
Some scholars note that Tibetan leaders during the Ming frequently engaged in civil war and conducted their own foreign diplomacy with neighboring states such as Nepal. Some scholars underscore the commercial aspect of the Ming–Tibetan relationship, noting the Ming dynasty's shortage of horses for warfare and thus the importance of the horse trade with Tibet. Others argue that the significant religious nature of the relationship of the Ming court with Tibetan lamas is underrepresented in modern scholarship. (Full article...)
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The field shortly after the start.
The men's road race, a part of the cycling events at the 2008 Summer Olympics, took place on August 9 at the Urban Road Cycling Course in Beijing. It started at 11:00 China Standard Time (UTC+8), and was scheduled to last until 17:30 later that day. The 245.4-kilometre (152.5 mi) course ran north across the heart of the Beijing metropolitan area, passing such landmarks as the Temple of Heaven, the Great Hall of the People, Tiananmen Square and the Beijing National Stadium. After rolling over relatively flat terrain for 78.8 km (49.0 mi) north of the Beijing city center, the route entered a decisive circuit encompassing seven loops on a 23.8 km (14.8 mi) section up and down the Badaling Pass, including ramps as steep as a 10 percent gradient.
The race was won by the Spanish rider Samuel Sánchez in 6 hours, 23 minutes, 49 seconds, after a six-man breakaway group contested a sprint finish. It was the first medal in the men's individual road race for Spain. Davide Rebellin of Italy and Fabian Cancellara of Switzerland, finishing second and third place with the same time as Sánchez, received silver and bronze medals respectively for the event. The hot and humid conditions were in sharp contrast to the heavy rain weathered in the women's road race the following day. (Full article...)
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Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
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Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
Sino-Roman relations comprised the (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties that followed. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
Lactarius indigo, commonly known as the indigo milk cap, indigo milky, indigo lactarius, blue lactarius, or blue milk mushroom, is a species of agaric fungus in the family Russulaceae.
The fruit body color ranges from dark blue in fresh specimens to pale blue-gray in older ones. The milk, or latex, that oozes when the mushroom tissue is cut or broken (a feature common to all members of the genus Lactarius) is also indigo blue, but slowly turns green upon exposure to air. The cap has a diameter of 5–15 cm (2–6 in), and the stem is 2–8 cm (3⁄4–3+1⁄8 in) tall and 1–2.5 cm (3⁄8–1 in) thick. (Full article...)
Hunan cuisine, also known as Xiang cuisine, consists of the cuisines of the Xiang River region, Dongting Lake and western Hunan Province in China. It is one of the Eight Great Traditions of Chinese cuisine and is well known for its hot and spicy flavours, fresh aroma and deep colours. Despite this, only about 20% of the cuisine uses capsicum to produce a strong spicy taste. Common cooking techniques include stewing, frying, pot-roasting, braising and smoking. Due to the high agricultural output of the region, ingredients for Hunan dishes are many and varied. (Full article...)
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Tea processing is the method in which the leaves from the tea plant Camellia sinensis are transformed into the dried leaves for brewing tea.
The categories of tea are distinguished by the processing they undergo. In its most general form, tea processing involves different manners and degrees of oxidation of the leaves, stopping the oxidation, forming the tea and drying it. (Full article...)
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The study of the impact of globalization on women in China examines the role and status of Chinese women relative to the political and cultural changes that have taken place in the 20th century as a consequence of globalization. Globalization refers to the interaction and integration of people, products, cultures and governments between various nations around the globe; this is fostered by trade, investment, and information technology. Globalization affected women's rights and the gender hierarchy in China, in aspects of domestic life such as marriage and primogeniture, as well as in the workplace. These changes altered the quality of life and the availability of opportunities to women at different junctures throughout the modern globalization process.
The dynamics of gender inequity are related with the ideological principles held by the ruling political regime. The imperial era was dominated by the social paradigm of Confucianism, which was a pervasive philosophy throughout the Orient. Confucian ideals emphasized morality, character, social relationship, and the status quo. Confucius preached jen (humanity) and the equality and educability of all people; Neo-Confucianists and Imperial leaders used his beliefs in social hierarchy, particularly in the family setting, for the physical and social oppression of women. As the Chinese government began to re-assimilate themselves into the global community in the late 19th to early 20th century, it shifted away from conventional Confucian ideals and women's role in society changed as well. After Mao Zedong established the People's Republic of China in 1949, a change in traditional gender roles came about. Mao's death marked the beginning of the current communist administration, and an influx of international communications in the areas of commerce, politics and social ideals. Since the 1980s, under the new communist party, the women's rights movement has gained momentum and has become a national issue as well as a sign of modernization. Some reporters state that increased globalization and the Belt and Road Initiative have led to an increase in sex trafficking of women in China. (Full article...)
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The architecture of the Song dynasty (960–1279) was noted for its towering Buddhistpagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period.
The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engineering. The Song dynasty's building manuals aided not only the various private workshops, but also the craftsmen employed by the central government. (Full article...)
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The title page of a 16th century Ming print of the Zuo Zhuan
The Zuo Zhuan (Chinese: 左傳; Wade–Giles: Tso chuan; [tswò ʈʂwân]), often translated The Zuo Tradition or The Commentary of Zuo, is an ancient Chinese narrative history that is traditionally regarded as a commentary on the ancient Chinese chronicle Spring and Autumn Annals. It comprises 30 chapters covering a period from 722 to 468BC, and focuses mainly on political, diplomatic, and military affairs from that era.
For many centuries, the Zuo Zhuan was the primary text through which educated Chinese learned their ancient history. The Zuo Zhuan does not simply explain the wording of the Spring and Autumn Annals, but rather expounds upon its historical background with rich and lively accounts of Spring and Autumn period (771–476 BC) history and culture. The Zuo Zhuan is the source of more Chinese sayings and idioms than any other classical work, and its concise, flowing style came to be held as a paragon of elegant Classical Chinese. Its tendency toward third-person narration and portraying characters through direct speech and action became hallmarks of Chinese narrative in general, and its style was imitated by historians, storytellers, and ancient style prose masters for over 2000 years of subsequent Chinese history. (Full article...)
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The Leader (Chinese: 领风者; pinyin: Lǐng fēng zhě) is a 2019 Chinese animatedweb series based on the life of German philosopher Karl Marx. Commissioned by the Chinese Communist Party, a production team was formed in 2016 which included propaganda departments, scholars of Marxism, and the Chinese Academy of Social Sciences. The series was announced in 2018 by the streaming service Bilibili as part of the celebration of the 200th anniversary of Marx's birth. The seven-episode series was created to attract young people to Marxism, and it was streamed weekly on Bilibili between January 28, and March 4, 2019. A webcomic version was produced by Zhong Jun, the series' chief scriptwriter.
The series' announcement attracted international interest, and its promotional video had over 200,000 views on its release day. It was primarily considered propaganda by the Western media, while Chinese viewers commented on Marx's good looks. The series had a mixed response; the first episode had over 2.8 million views in one day, and the series as a whole had at least 5.5 million views. Although it was criticized for poor animation, propagandism, and its depiction of Marx, it has sparked a discussion on Marxism and labor rights in China. (Full article...)
Northern Irish cueist Mark Allen was the defending champion, after defeating Australian Neil Robertson in the previous year's final. Allen, however, lost 9–6 to England's Shaun Murphy in the semi-finals. Reigning world champion Judd Trump won the event and his 12th ranking championship with a 10–3 win over Murphy in the final. In winning the event, Trump returned to the world number one position, that he had last held in 2013. (Full article...)
She was part of a flotilla which toured ports during the summer of 1889. Zhiyuan's sole action was at the Battle of the Yalu River on 17 September 1894 during the First Sino-Japanese War. During the battle, she came under heavy fire from the Japanese forces. Having been holed, Deng ordered for the ship to ram an opposing vessel. She was destroyed as she closed, either by a hit on one of her torpedo tubes, or from a Japanese torpedo. This attack, and the subsequent story of her captain and his dog have become embedded in popular culture in the People's Republic of China. A replica of the Zhiyuan was constructed in 2014 at the Port of Dandong, while the wreck was discovered in 2013 after a 16-year search. (Full article...)
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Fu (Chinese: 賦), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form in China during the Han dynasty (206 BC – AD220). Fu are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. They were not sung like songs, but were recited or chanted. The distinguishing characteristics of fu include alternating rhyme and prose, varying line lengths, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics. Classical fu composers tended to use as wide a vocabulary as possible in their compositions, and therefore fu often contain rare and archaic Chinese words and characters.
The fu genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (960–1279). Fu were used as grand praises for the imperial courts, palaces, and cities, but were also used to write "fu on things", in which any place, object, or feeling was rhapsodized in exhaustive detail. The largest collections of historical fu are the Selections of Refined Literature (Wen xuan), the Book of Han, New Songs from the Jade Terrace, and official dynastic histories. (Full article...)
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The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts.
Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. (Full article...)
Hamilton, the eventual Drivers' Champion, led the Championship going into the race, and started from pole position alongside Räikkönen. Second in the Drivers' Championship, Massa began from third, next to Fernando Alonso of Renault. The first three drivers retained their positions into the first corner, but Alonso was passed by Hamilton's McLaren teammate Heikki Kovalainen. Alonso, however, was able to regain the place midway through the first lap. Over the course of the race, Hamilton extended a considerable lead over the two Ferraris. Massa passed Räikkönen with seven laps remaining, to improve his chances of surpassing Hamilton's points tally at the final race in Brazil. (Full article...)
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Outer wall of Suoyang City
Suoyang City (Chinese: 锁阳城; pinyin: Suǒyáng Chéng), also called Kuyu (苦峪), is a ruined Silk Road city in Guazhou County of Gansu Province in northwestern China. First established as Ming'an County in 111 BC by Emperor Wu of Han, the city was relocated and rebuilt at the current site in 295 AD by Emperor Hui of the Western Jin dynasty. As the capital of Jinchang Commandery (later Guazhou Prefecture), the city prospered during the Tang and Western Xia dynasties. It was an important administrative, economic, and cultural center of the Hexi Corridor for over a millennium, with an estimated peak population of 50,000. It was destroyed and abandoned in the 16th century, after the Ming dynasty came under attack by Mansur Khan of Moghulistan.
The city ruins comprise the inner city, the outer city, and several yangmacheng (fortified animal enclosures used as fortresses in wartime). Outside the city walls, the broader archaeological park includes the original site of Ming'an County, more than 2,000 tombs, and the remains of an extensive irrigation system with over 90 kilometres (56 mi) of canals. The archaeological park also encompasses a number of Buddhist sites, including the Ta'er Temple, the Eastern Thousand Buddha Caves, Jianquanzi Caves (碱泉子石窟), and Hanxia Caves (旱峡石窟). (Full article...)
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Xin Fengxia in Flowers as Matchmakers
Xin Fengxia (Chinese: 新凤霞; pinyin: Xīn Fèngxiá; Wade–Giles: Hsin Feng-hsia; 1927 – 12 April 1998) was a Chinese pingju opera performer, known as the "Queen of Pingju". She was also a film actress, writer, and painter. She starred in the highly popular films Liu Qiao'er (1956) and Flowers as Matchmakers (1964), both adapted from her operas.
Xin was married to Wu Zuguang, a prominent playwright and an outspoken critic of government policies. When Wu was denounced as a "rightist" in Mao Zedong's Anti-Rightist Campaign, Xin refused to divorce him and was herself denounced as a result. She was later severely persecuted during the Cultural Revolution, becoming disabled after a beating and was later paralyzed due to a stroke. No longer able to perform, she dedicated the remainder of her life to teaching, writing, and painting. She studied painting with her godfather Qi Baishi, a master of Chinese painting, and studied writing with her husband. She published a two-million-word memoir, which has been translated into English and Urdu. (Full article...)
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Maryang-san (right), Korea
The First Battle of Maryang-san (3–8 October 1951), also known as the Defensive Battle of Maliangshan (Chinese: 馬良山防衛戰; pinyin: Mǎliáng Shān Fángyù Zhàn), was fought during the Korean War between United Nations Command (UN) forces—primarily Australian, British and Canadian—and the Chinese People's Volunteer Army (PVA). The fighting occurred during a limited UN offensive by US I Corps, codenamed Operation Commando. This offensive ultimately pushed the PVA back from the Imjin River to the Jamestown Line and destroyed elements of four PVA armies following heavy fighting. The much smaller battle at Maryang-san took place over a five-day period, and saw the 1st Commonwealth Division dislodge a numerically superior PVA force from the tactically important Kowang-san (Hill 355), Hill 187, and Maryang-san (Hill 317, a.k.a. Hill 315) features.
Using tactics first developed against the Japanese in New Guinea during the Second World War, the Australians gained the advantage of the high ground and assaulted the PVA positions from unexpected directions. They then repelled repeated PVA counterattacks aimed at re-capturing Maryang San and Kowang-san (the latter on 12 October), with both sides suffering heavy casualties before the Australians were finally relieved by a British battalion. However, with the peace-talks ongoing, these operations proved to be the last actions in the war of manoeuvre, which had lasted the previous sixteen months. It was replaced by a static war characterised by fixed defences reminiscent of the Western Front in 1915–17. A month later, the PVA re-captured Maryang San during fierce fighting, and it was never re-gained. Today, the battle is widely regarded as one of the Australian Army's greatest accomplishments during the war. (Full article...)
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19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
The military of the Tang dynasty was staffed with a large population of Turkic soldiers, referred to as Tujue (突厥) in Chinese sources. Tang elites in northern China were familiar with Turkic culture, a factor that contributed to the empire's acceptance of Turkic recruits. The Emperor Taizong of Tang adopted the title of "Heavenly Khagan" and promoted a cosmopolitan empire. Turkic soldiers that served under the Tang dynasty originated from the Eastern Turkic Khaganate. It began with Taizong who sent his general Li Jing, eventually ended in defeating the Eastern Turks and capturing their leader Jiali Khan.
Taizong regularly recruited and promoted military officers of Turkic ancestry, whose steppe experience contributed to the western and northern expansion of the Tang empire. The Turkic general Ashina She'er participated in the Tang capture of the Karakhoja, Karasahr, and Kucha kingdoms in Xinjiang. The half-Turkic general An Lushan started a revolt that led to the decline of the Tang dynasty. (Full article...)
Image 8Dragon Tea Pot, Republic of China (from Chinese culture)
Image 9Flag of the Republic of China from 1928 to now (from History of China)
Image 10Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 17Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 18Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 58Jichang Garden in Wuxi (1506–1521), built during the Ming dynasty, is an exemplary work of South Chinese style garden. (from Chinese culture)
Image 59Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
The People's Republic of China revises its regulations for foreign investors in its listed companies, seeking to attract more such investment by expanding eligibility criteria and easing financial requirements. (CNBC)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).